Quick Reviews #21

Earlier this week I had quite the few days of catching up on the new releases in cinema. Sunday I caught A Star is Born, Monday was First Man and Tuesday I was taken on a ride with Mandy. Three very different films and I've reviewed them all for you in another Quick Reviews post. So please read on and enjoy. 

A Star is Born

This is my first time seeing one of the many versions of A Star is Born and I can see the appeal. A drunk rocker living like there's no tomorrow, bringing a new musician into the world. What I didn't consider was that despite not seeing the original version, I feel like I've seen this before. I guess that's kind of ironic that the original premise now feels tired and clichéd. It runs a lot like a typical musical biopic; where the rise is a lot more enjoyable to watch than the fall. And there is no doubt that the first half of this film is great; a building crescendo of emotion until that powerful duet between Lady Gaga and Bradley Cooper blows you away. Gaga really does have an incredible voice and now we know that she can act pretty darn well too. In fact, this whole film is full of powerful performances. They'd have to be as well because it's semi-obvious that this was directed by an actor as the camera rarely leaves a close-up position; it's all face and emotion. I don't blame first-time director Bradley Cooper for doing this - he's got hell of a cast to work with - but I would have appreciated a little more creativity at times. I had fun with this film, the second half feels a little too long and I wasn't as moved as I think the film wanted me to be. Overall though I liked it, even though nobody ever says that they’re “gaga” for Ally…

3.5/5

First Man

I wasn't particularly excited for this film: it felt like a strange route for Damien Chazelle to go from La La Land to a biopic about Neil Armstrong. I should never have doubted him though, as he takes a massive part of history and turns it into an intimate story of grief and achievement. Not only is this an interesting way to present the story, he also gets a lot more experimental behind the camera. The camera is shaky, the use of zooms and even the graininess of the footage gives you the sense you’re watching an old documentary at times. It's got such a human atmosphere, making something big feel very small and personal. There's even a sequence in the film, a mission to dock two ships together in space that shows the lift off from inside the rocket only. Inside a small pod, nuts and bolts shaking everywhere under the extreme thrust: it's very claustrophobic and I could barely breathe throughout the whole sequence. It was quite something. Ryan Gosling plays the stoic Neil Armstrong and Claire Foy plays his wife Janet; both incredible in their roles and no doubt will be getting some Oscar attention for it. At times I felt like I needed some more meat to their relationship, I was not as satisfied with their final scene together as I would have liked to have been. I enjoyed the juxtaposition of their scenes; the children running around the house and playing cut with NASA figuring out how to get to the moon - really hammered the point that they themselves were just playing, the game just costlier. Don't sleep on this one, Chazelle really knows what he's doing, a very powerful film.

4.5/5

Mandy

Having gone in blind I wasn’t really sure what to expect from this film, except that it was going to take me on quite the ride. The film follows Nicholas Cage as Red Miller and his wife Mandy played by Andrea Riseborough, whose haven is destroyed by a cult led by the sadistic Jeramiah Sand played by Linus Roache. You may not have heard of this film and - unless you’re ready for a gore filled psychedelic revenge thriller - you might not want to either! If that sounds like your thing then you’re in luck, this film is quite something. It’s a slow burn, completely capturing you with its synth-y soundtrack and gorgeous visuals. The atmosphere is almost dreamlike: the slowness is rarely a problem as you are almost put into a trance throughout the running time. I did think some trimming could have been done to tighten things up but the first-time experience of seeing this was unlike anything else. As things heat up in the second half, it almost turns into a different film. Cage is unleashed and allowed to do what he does best; creating some terrifying and hilarious moments of badassery. You could freeze frame the film at any moment and make an awesome metal vinyl from it and stick on the side of van. The revenge story is one that has been done before but never in this approach. This is cinema at its best; knowing the experience is one unlike any other you will have again. Striking both visually and audibly: this is easily the most insane film of the year.

4/5

What did you think of any of these films? Let me know in the comments below.

Thanks for reading!