Showing posts with label Black Panther. Show all posts
Showing posts with label Black Panther. Show all posts

Monday, 31 December 2018

Top Ten Films 2018

Another year and another "Top Ten" list. 2018 was a great year for film, both studio made, independent and everything in-between. It was actually relatively difficult making this top ten list because I had to leave so many great movies off. So to start I just want to list some honourable mentions that you should really check out if you haven't already: Mission: Impossible - Fallout, Spider-Man: Into the Spider-Verse, Upgrade, BlackKklansman, The RiderMandy, Shirkers and Shoplifters.

Now onto the big ten, the films that were my personal favourites of the year 2018. Read on and enjoy!

10. Dogman

This story of a dog groomer being reluctantly dragged into the crime world had me sitting on the edge of my seat. The main character, Marcello is one of this years most lovable characters whilst simultaneously being one of the most infuriating. Nearly every choice he makes is a bad one, setting him down a tragic path. It's not all doom and gloom, there's still a lot of humour to be had with the story that will really surprise you with the places it goes. Read my full review here.

9. A Quiet Place

John Krasinski's latest film is also his best. Every element of this film is so well done, every element of filmmaking working to tell a simple story of family and love. It was also the scariest film of the year, yes Hereditary was creepy but I've never heard a packed cinema crowd be so silent, every slight noise scaring the crap out of everyone in unison. It's a masterclass in how to build tension, my body exhausted after viewing it, every muscle tensed in anticipation of what was going to happen. Read my full review here.

8. Roma

Easily the most beautiful film of 2018. Every shot is a masterpiece, every camera movement used to tell the story and reveal more about the characters. It's a slow burn but it crescendos to a climax that feels like an outburst of emotion, even the coldest of people would have a hard time keeping a dry eye. It's a love letter to a person in the directors own life but also to cinema itself. Despite wanting to see it on the big screen, you will not be killing cinema if you see it on the small screen (it is a Netflix release.), I saw it at home and it still made it's way on to this list. Read my full review here.

7. Blindspotting

When the world is in political turmoil our art reacts but rarely does it react so thoughtfully and as well as it does in Blindspotting, a timely story that delivers a powerful message whilst traversing the the dark and gloomy with joy and humour. It will take you through the whole scale of emotions and leave you completely satisfied on the way out. It's creative, unique and totally original. It's one of the most poignant films of the year and a must see if you haven't gotten around to it yet! Read my full review here.

6. First Man

A somewhat overlooked gem of 2018 despite its wide release. To be fair Damien Chazelle taking on a biopic was a strange turn for the director who's last film was La La Land but he managed to take this epic tale and wittle it down to a singular emotional beat; grief. Not stopping at the story, the film is also incredibly shot, with its own look, taking it back in time. The space scenes were incredibly done, grounding the action within the spacecrafts, grounding the story and creating spectacle by surprising the audience rather than just going for the obvious; it's an incredible film. Read my full review here.

5. Sorry to Bother You

Boots Riley appeared as one of the freshest voices in cinema this year, debuting his feature film that was totally original, creative, unique and yes, absolutely bonkers. Sorry to Bother You holds a mirror to our own society and reflects an askew but familiar version of it back to us. It's rebellious and anarchistic and revels in the joy of its own creativity. No doubt it will split it's audience down the middle with its crazy twists but it's rewarding if you stay on board and I for one definitely had a hell of a time with it. Read my full review here.

4. Black Panther

2018 was the year I started (and finished) working in a cinema and the first big film of my new job was Black Panther. It was amazing to see how much joy this film brought to a lot of people but it was also amazing, as a fan, to see Wakanda brought to life on the big screen. It was a breath of fresh air in the superhero genre and sign of the future, to know that Marvel was learning from past mistakes and were pursuing a more diverse and unique future for their franchise. No film made a bigger stamp on the cultural landscape this year, and it helps that every element works so well together, creating an amazing story of power, race and family. Read my full review here.

3. Suspiria

I would never moan at the word "remake" if all remakes were treated with this much love, care and affection. Director Luca Guadagnino is speedily becoming one of my favourite filmmakers around, his eye for detail and love for the craft can be seen in every frame of this film. It's a love letter to the original film whilst also being it's own unique thing. This is how remakes should be done and there is no doubt that this film will be being studied in the years to come. Tantalising, breathtaking, creepy and beautiful, this film will lure you in and not let go. On a side note, Tilda Swinton deserves all the awards possible for her role(s) in this film, she won't, but she should. Read my full review here. 

2. First Reformed

This film came very close to being first... From the moment it started I was transfixed to the screen. The academy ratio draws you in and the crisp and clear imagery allows you to get up close and personal with the subject, studying their every move. The subject in question is Ethan Hawke, a lesser actor would not be able to pull off a performance quite so intimate and personal, the struggle between faith and environment so perfectly portrayed in every frame of the film. It's an incredible film that creates discussion, takes you on journey and then leaves you hanging on an ending that will definitely not please everyone but it left me thinking deeply about this film since the first time I saw it. It could have been the best film of the year but that fanboy in me got the better of me... Read my full review here.

1. Avengers: Infinity War 

The geek fanboy in me has seeped it's way into this top ten list and yes, Avengers: Infinity War is my number one film of the year. Many of you may close this page when finding this out but no other film brought me so much joy in the cinema. I could't believe what I was seeing, it was like a comic book come to life and it wasn't a mess. It baffles me how well this film is structured, edited and actually makes sense when there is so much going on with so many different weird and wonderful characters. This could have so easily fallen on its face but not only is it good, it's a downright masterpiece, delivering some of the most jaw dropping moments of the franchise yet, with real stakes and emotion. It's my favourite film of the MCU and yes, even with a lot of contemplation and multiple viewings, it definitely is my favourite film of 2018. You can read my full review here.

Not a bad list even if I do say so myself. If you want to know my ranking of every new release in 2018 then you can check out my list on Letterboxd here.

What were your favourite films of 2018? Let me know in the comments below!

Happy New Year and thanks for reading! 

Sunday, 14 October 2018

Venom



There’s been a lot of negative reviews for Venom, the new comic book film based off of the villain of Spider-Man, but is it as bad as everyone is saying? NO, YOU’RE ALL WRONG IT’S A MASTERPIECE!!!

Who am I kidding, it’s bad, like really bad. Read on a find out why.

Venom follows Eddie Brock, an investigative journalist who’s trying to take down the head of the Life Foundation, Carlton Drake. While investigating one of Drake’s experiments, Eddie’s body merges with an alien symbiote – Venom - leaving him with superhuman powers and a twisted alter ego.

The film was produced by Sony who have had a bit of trouble with making Spider-Man films over the last few years. With Spider-Man now semi back with Marvel Studios, the company have now gone down the route of making money from the villains of the superhero instead. Now producers Avi Arad and Matt Tolmach have had a boner for the character of Venom for a long time, trying to greenlight a movie since the 90’s and shoe horning him into Sam Raimi’s Spider-Man 3 despite the director’s doubts. I’m going to assume that the producers are like most people who say they “like” Venom but they don’t actually know that much about the character - instead just like how cool he looks. Personally, I don’t think Venom is that good of a character, I find him quite boring. His origin is pretty cool and is well done in the Raimi films but overall he’s not that interesting. He’s just a bit of a zombie Spider-Man and it wasn’t until recent times in the comics with new hosts that his stories became less repetitive. So, as you can imagine, I’ve not been that excited for this film.

Despite my lack of excitement for the character or the film, my interest was piqued by the cast. Tom Hardy plays Eddie Brock/Venom, he’s joined by Michelle Williams, Riz Ahmed and Jenny Slate. That’s a pretty stellar cast and if you’re into your films you might be suckered into thinking that there must be something in Venom that grabbed these high-class actors’ interest. Well let’s just say there must have been a lot of money on the table for this one… Michelle Williams especially looks like she’s so bored with the film and her chemistry with Tom Hardy is so non-existent. It’s uncomfortable to watch. Only Tom Hardy looks like he’s having any fun with character and you can tell that he definitely puts his all into the character - it’s enjoyable to watch and despite the lack of comic book accuracy to the Eddie Brock character. He is actually a solid choice and it would be good to see in a more thought out film. I don’t blame the cast, they all have done and will do better.

So, the film is bad you get that but unfortunately, it’s not even one of those films that’s so bad it’s good. The whole thing just feels so uninspired and dull: the story is choppy and the heroes/villains seem to have little to no motivation for their actions. It takes way too long for Venom to actually come into play and although the film perks up a little when he does, the character just feels messy and incomplete. His powers are all over the place and his changing intentions come out of nowhere. The film feels like it was made in the early noughties, when studios weren’t as sold on superhero films and we got dumps like Daredevil and Catwoman. This film even comes complete with dodgy CGI and messy visuals that disorientate you during action scenes. It’s crazy to think that the producers - having wanted this film made since the 90’s - did not give any reason as to why this film should be made other that it being a cash grab for the suckers who think Venom looks cool and believe they’re in for a more adult take on the character. It’s dark alright but I’m talking more in terms of the lighting.

This film frustrates me because it feels like uninspired and lazy filmmaking personified. No offence to the crew that no doubt worked their butts off to try and make something out of this but it was tainted from the get go. I think it deserves this scathing review because it gives superhero films a bad name. When made with love and effort superhero films can soar - look at Black Panther - but when these films are made with no other thought than greed, well they look like Venom. As a fan of comic books and Spider-Man in particular, I should be the prime target for this film; but I couldn’t care less. I also really don’t care for the Spider-Man Villain universe without Spider-Man that Sony are trying to set up, leave the characters alone.

Venom is not a film, it’s a product. A product that looks cool but when you bite into it, it’s mouldy and makes you ill. So yeah, I’m rating it a 1.5/5. Give it a miss.

So what did you think of the film? Am I right or am I wrong? Let me know in the comments below.

Thanks for reading!

Monday, 26 February 2018

Black Panther

It's been a while... I've recently moved house and been without internet for some time (thanks BT for your terrible service!). Anyway, there's been a pretty big release from Marvel...

Black Panther is the breath of fresh air I needed in the Marvel Cinematic Universe. Although I still very much enjoy most of the films that are produced by the studio, I have started to waver a little with some of the basic premise recycling. Now don’t get me wrong this film has some Marvel ‘similarities’ but ultimately is its own new fresh thing. Read on to find out my SPOILER FREE thoughts.

For the most part Marvel has suffered a little when it comes to diversity, people of colour usually take a backseat to main characters and there isn’t a really any excuse for it to have taken this long for a black superhero to have their own standalone film within the universe. Marvel aren’t the only problem though, Hollywood in general has been slow to this game for a while and although we have had black superheroes, we’ve never really had anything like Black Panther before; a film with a predominantly black cast representing Africa in a way that’s never been seen in a big mainstream blockbuster and that means something. I’m a white dude, I’ve seen a lot of them on the big screen, I’ve been represented, it’s time to get our films as diverse as the world around us. The cast in speaking is one of the best Marvel has assembled, the main players being: Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Letitia Wright, Angela Basset, Daniel Kaluuya, Forest Whitaker Andy Serkis and Martin Freeman. The story follows T’Challa, the newly appointed King of Wakanda, after the events of Civil War he struggles with his new mantle as the country decides if/how it will change under new leadership.
 
The first thing that Black Panther does excellently is give you a real sense of Wakanda, the secretive and extremely modern city of Africa, powered by a massive source of vibranium. Throughout the whole film you get to see a lot of the country and the people that live there. |The film is never afraid to embrace the weirder side of the mythology and it made me realise that Thor really missed an opportunity to establish Asgard in the same way.  Wakanda feels lived in, it feels like it has a history and it’s definitely a place I would like to see more of in the future. If it wasn’t connected to the MCU, Wakanda could have a whole franchise to itself, that’s the kind of scope director Ryan Coogler has been able to create around the character’s first solo outing.

One of the reasons this feels like a fresh film in the MCU is the fact that superhero business is secondary to the main story; a story of monarchy, politics and change. The action set pieces are cool but they don’t stand up to the spectacle we’ve had so far in the franchise, not that this is bad thing - it feels right within the context. The jokes are not as full on and if I was to criticise the film for anything it would be that the small amount of humour mainly lands flat. But this is a more serious affair; bringing in themes that are very relevant in the world right now. This may not be the first time Marvel has woven mature themes into its narrative but it does feel like the first time that they have felt this important.

On top of great characters and an interesting and satisfying story, the film is also one of the best looking and most colourful of Marvel’s so far. There’s the odd bit of dodgy CGI every now and then but it doesn’t take away from breath-taking scenery as you swoop into Wakanda for the first time. Accompanied by a unique music that excellently blends a traditional score with African instruments and hip-hop.

As you can probably tell from the amount of praise of already heaped on the film - I very much enjoyed it. It’s personally one of my favourite MCU films and has calmed some of my fears that the studio isn’t afraid to take so-called “risks”, mix it up and embrace the fun mythology of the comic book source material. The only way stop superhero fatigue is to tell great stories that just so happen to have a superhero in the them and Black Panther is an excellent example of this. Onward and upwards. I’m giving Black Panther a rating of 5/5.


What did you think of Black Panther? Where does it rank in the MCU? Let me know in the comments below!

Thanks for reading!