Showing posts with label First Man. Show all posts
Showing posts with label First Man. Show all posts

Monday, 31 December 2018

Top Ten Films 2018

Another year and another "Top Ten" list. 2018 was a great year for film, both studio made, independent and everything in-between. It was actually relatively difficult making this top ten list because I had to leave so many great movies off. So to start I just want to list some honourable mentions that you should really check out if you haven't already: Mission: Impossible - Fallout, Spider-Man: Into the Spider-Verse, Upgrade, BlackKklansman, The RiderMandy, Shirkers and Shoplifters.

Now onto the big ten, the films that were my personal favourites of the year 2018. Read on and enjoy!

10. Dogman

This story of a dog groomer being reluctantly dragged into the crime world had me sitting on the edge of my seat. The main character, Marcello is one of this years most lovable characters whilst simultaneously being one of the most infuriating. Nearly every choice he makes is a bad one, setting him down a tragic path. It's not all doom and gloom, there's still a lot of humour to be had with the story that will really surprise you with the places it goes. Read my full review here.

9. A Quiet Place

John Krasinski's latest film is also his best. Every element of this film is so well done, every element of filmmaking working to tell a simple story of family and love. It was also the scariest film of the year, yes Hereditary was creepy but I've never heard a packed cinema crowd be so silent, every slight noise scaring the crap out of everyone in unison. It's a masterclass in how to build tension, my body exhausted after viewing it, every muscle tensed in anticipation of what was going to happen. Read my full review here.

8. Roma

Easily the most beautiful film of 2018. Every shot is a masterpiece, every camera movement used to tell the story and reveal more about the characters. It's a slow burn but it crescendos to a climax that feels like an outburst of emotion, even the coldest of people would have a hard time keeping a dry eye. It's a love letter to a person in the directors own life but also to cinema itself. Despite wanting to see it on the big screen, you will not be killing cinema if you see it on the small screen (it is a Netflix release.), I saw it at home and it still made it's way on to this list. Read my full review here.

7. Blindspotting

When the world is in political turmoil our art reacts but rarely does it react so thoughtfully and as well as it does in Blindspotting, a timely story that delivers a powerful message whilst traversing the the dark and gloomy with joy and humour. It will take you through the whole scale of emotions and leave you completely satisfied on the way out. It's creative, unique and totally original. It's one of the most poignant films of the year and a must see if you haven't gotten around to it yet! Read my full review here.

6. First Man

A somewhat overlooked gem of 2018 despite its wide release. To be fair Damien Chazelle taking on a biopic was a strange turn for the director who's last film was La La Land but he managed to take this epic tale and wittle it down to a singular emotional beat; grief. Not stopping at the story, the film is also incredibly shot, with its own look, taking it back in time. The space scenes were incredibly done, grounding the action within the spacecrafts, grounding the story and creating spectacle by surprising the audience rather than just going for the obvious; it's an incredible film. Read my full review here.

5. Sorry to Bother You

Boots Riley appeared as one of the freshest voices in cinema this year, debuting his feature film that was totally original, creative, unique and yes, absolutely bonkers. Sorry to Bother You holds a mirror to our own society and reflects an askew but familiar version of it back to us. It's rebellious and anarchistic and revels in the joy of its own creativity. No doubt it will split it's audience down the middle with its crazy twists but it's rewarding if you stay on board and I for one definitely had a hell of a time with it. Read my full review here.

4. Black Panther

2018 was the year I started (and finished) working in a cinema and the first big film of my new job was Black Panther. It was amazing to see how much joy this film brought to a lot of people but it was also amazing, as a fan, to see Wakanda brought to life on the big screen. It was a breath of fresh air in the superhero genre and sign of the future, to know that Marvel was learning from past mistakes and were pursuing a more diverse and unique future for their franchise. No film made a bigger stamp on the cultural landscape this year, and it helps that every element works so well together, creating an amazing story of power, race and family. Read my full review here.

3. Suspiria

I would never moan at the word "remake" if all remakes were treated with this much love, care and affection. Director Luca Guadagnino is speedily becoming one of my favourite filmmakers around, his eye for detail and love for the craft can be seen in every frame of this film. It's a love letter to the original film whilst also being it's own unique thing. This is how remakes should be done and there is no doubt that this film will be being studied in the years to come. Tantalising, breathtaking, creepy and beautiful, this film will lure you in and not let go. On a side note, Tilda Swinton deserves all the awards possible for her role(s) in this film, she won't, but she should. Read my full review here. 

2. First Reformed

This film came very close to being first... From the moment it started I was transfixed to the screen. The academy ratio draws you in and the crisp and clear imagery allows you to get up close and personal with the subject, studying their every move. The subject in question is Ethan Hawke, a lesser actor would not be able to pull off a performance quite so intimate and personal, the struggle between faith and environment so perfectly portrayed in every frame of the film. It's an incredible film that creates discussion, takes you on journey and then leaves you hanging on an ending that will definitely not please everyone but it left me thinking deeply about this film since the first time I saw it. It could have been the best film of the year but that fanboy in me got the better of me... Read my full review here.

1. Avengers: Infinity War 

The geek fanboy in me has seeped it's way into this top ten list and yes, Avengers: Infinity War is my number one film of the year. Many of you may close this page when finding this out but no other film brought me so much joy in the cinema. I could't believe what I was seeing, it was like a comic book come to life and it wasn't a mess. It baffles me how well this film is structured, edited and actually makes sense when there is so much going on with so many different weird and wonderful characters. This could have so easily fallen on its face but not only is it good, it's a downright masterpiece, delivering some of the most jaw dropping moments of the franchise yet, with real stakes and emotion. It's my favourite film of the MCU and yes, even with a lot of contemplation and multiple viewings, it definitely is my favourite film of 2018. You can read my full review here.

Not a bad list even if I do say so myself. If you want to know my ranking of every new release in 2018 then you can check out my list on Letterboxd here.

What were your favourite films of 2018? Let me know in the comments below!

Happy New Year and thanks for reading! 

Thursday, 18 October 2018

Quick Reviews #21

Earlier this week I had quite the few days of catching up on the new releases in cinema. Sunday I caught A Star is Born, Monday was First Man and Tuesday I was taken on a ride with Mandy. Three very different films and I've reviewed them all for you in another Quick Reviews post. So please read on and enjoy. 

A Star is Born

This is my first time seeing one of the many versions of A Star is Born and I can see the appeal. A drunk rocker living like there's no tomorrow, bringing a new musician into the world. What I didn't consider was that despite not seeing the original version, I feel like I've seen this before. I guess that's kind of ironic that the original premise now feels tired and clichéd. It runs a lot like a typical musical biopic; where the rise is a lot more enjoyable to watch than the fall. And there is no doubt that the first half of this film is great; a building crescendo of emotion until that powerful duet between Lady Gaga and Bradley Cooper blows you away. Gaga really does have an incredible voice and now we know that she can act pretty darn well too. In fact, this whole film is full of powerful performances. They'd have to be as well because it's semi-obvious that this was directed by an actor as the camera rarely leaves a close-up position; it's all face and emotion. I don't blame first-time director Bradley Cooper for doing this - he's got hell of a cast to work with - but I would have appreciated a little more creativity at times. I had fun with this film, the second half feels a little too long and I wasn't as moved as I think the film wanted me to be. Overall though I liked it, even though nobody ever says that they’re “gaga” for Ally…
3.5/5

First Man

I wasn't particularly excited for this film: it felt like a strange route for Damien Chazelle to go from La La Land to a biopic about Neil Armstrong. I should never have doubted him though, as he takes a massive part of history and turns it into an intimate story of grief and achievement. Not only is this an interesting way to present the story, he also gets a lot more experimental behind the camera. The camera is shaky, the use of zooms and even the graininess of the footage gives you the sense you’re watching an old documentary at times. It's got such a human atmosphere, making something big feel very small and personal. There's even a sequence in the film, a mission to dock two ships together in space that shows the lift off from inside the rocket only. Inside a small pod, nuts and bolts shaking everywhere under the extreme thrust: it's very claustrophobic and I could barely breathe throughout the whole sequence. It was quite something. Ryan Gosling plays the stoic Neil Armstrong and Claire Foy plays his wife Janet; both incredible in their roles and no doubt will be getting some Oscar attention for it. At times I felt like I needed some more meat to their relationship, I was not as satisfied with their final scene together as I would have liked to have been. I enjoyed the juxtaposition of their scenes; the children running around the house and playing cut with NASA figuring out how to get to the moon - really hammered the point that they themselves were just playing, the game just costlier. Don't sleep on this one, Chazelle really knows what he's doing, a very powerful film.
4.5/5

Mandy

Having gone in blind I wasn’t really sure what to expect from this film, except that it was going to take me on quite the ride. The film follows Nicholas Cage as Red Miller and his wife Mandy played by Andrea Riseborough, whose haven is destroyed by a cult led by the sadistic Jeramiah Sand played by Linus Roache. You may not have heard of this film and - unless you’re ready for a gore filled psychedelic revenge thriller - you might not want to either! If that sounds like your thing then you’re in luck, this film is quite something. It’s a slow burn, completely capturing you with its synth-y soundtrack and gorgeous visuals. The atmosphere is almost dreamlike: the slowness is rarely a problem as you are almost put into a trance throughout the running time. I did think some trimming could have been done to tighten things up but the first-time experience of seeing this was unlike anything else. As things heat up in the second half, it almost turns into a different film. Cage is unleashed and allowed to do what he does best; creating some terrifying and hilarious moments of badassery. You could freeze frame the film at any moment and make an awesome metal vinyl from it and stick on the side of van. The revenge story is one that has been done before but never in this approach. This is cinema at its best; knowing the experience is one unlike any other you will have again. Striking both visually and audibly: this is easily the most insane film of the year.
4/5

What did you think of any of these films? Let me know in the comments below.

Thanks for reading!