Friday, 20 December 2019

Star Wars: The Rise of Skywalker

I love Star Wars and despite feeling disappointed by this film, I still wanted to find something to love. Unfortunately, there was not much. I have really enjoyed seeing these new characters over the last four years but here they felt distant, remnants of their former selves even. It’s partly the fault of the film's pace, it doesn’t take a breath, ever. It’s all go from the start of the film, even the opening crawl contains a plot point that I would much rather have seen unfold in real-time.

You never get a moment to let the characters breathe, to feel their pain and their struggle as they fight their way to what the film tries to make an emotional climax. I feel here like Disney got scared, scared of the loud minority of toxic fans that hated The Last Jedi with a passion and, instead of ignoring them, they pandered to them. Here JJ Abrams tries to please everyone and inevitably will probably annoy more people because of that. You can’t please them all and trying to forgive certain plot points of previous films without ever thinking about how it actually relates to the story left a sour taste in my mouth.

Here we get action for action’s sake and never any build-up to those moments that could have been epic elsewhere. I remember getting goosebumps throughout The Force Awakens as it led up to a climactic and powerful battle on Star Killer Base, same with The Last Jedi as we only see relationships develop in unique ways, making the pivoting of Kylo Ren's morality in that film even more emotional in its conclusion. Here we get lightsaber fights aplenty but they don’t have the emotional weight that we’ve seen before and they’re even mainly shot in close-ups making it difficult to follow the action.

The film feels rushed, I’m sure a lot of effort went into it but it lacks the love and affection that the previous films in the trilogy oozed. Even the special effects don’t feel so special, Leia’s part in the film feels disjointed and you can tell she’s not there. It only works to undermine her incredible performance in The Last Jedi as here she serves little to no purpose other than saying lines that feel better placed in a fortune cookie. I feel like it would have been better just to leave her out entirely than to shoehorn old footage of her into the film. They make the effort this time to turn Maz Kanata into a puppet and she feels like she’d be more at home in a theme park than a movie.

The dynamic between Kylo and Rey still remains the high point of this trilogy and there’s some fun to be had with them here. However, nothing feels as nuanced or as human as the interactions we saw in the last film. The whole film is just plain lazy at times; with its awkward dialogue, a multitude of MacGuffins and five or six death fake-outs that render any of the peril you are supposed to feel useless.

I would have happily waited longer to see a more carefully created and original closure to the Star Wars saga but instead, we get a rushed sprint to the end: a lazy attempt to link everything together and the characters we’ve seen grow throughout two films reduced to stereotypes of their former selves. Love or hate The Last Jedi it opened doors for an exciting new universe for Star Wars but instead, the studio got scared and backed away into a conclusion that takes no risks and ultimately feels bland and lifeless. I’m not angry, I’m just disappointed.

2.5/5

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Saturday, 6 July 2019

Spider-Man: Far From Home

I had been cautiously optimistic in the run-up to Spider-Man: Far From Home. I had a similar reaction to the run-up to Homecoming’s release as well, where I didn’t like the trailers and thought there was too much Iron Man in my Spider-Man but then ultimately the film turned out pretty great. Same feeling with the trailers this time around but unfortunately the film pales in comparison to its processor. Read on to find out why.

CAUTION: AVENGERS: ENDGAME SPOILERS AHEAD!

After the events of Endgame and the death of Tony Stark, Peter is feeling the pressure from both the public and his family to become the next Iron Man. He’s still feeling the loss of his mentor and doesn’t really want to have to think about it too much, and with his School class about to go on a trip to Europe, he wants to take a break from Superhero-ing and just be a normal teenager for a few weeks. This doesn’t go to plan as Quentin Beck aka Mysterio, a superhero from another multiverse has teamed up with Nick Fury and Maria Hill to stop the threat of the Elementals destroying the world and they just happen to turn up on Peter’s first leg of his European trip.

My biggest problem with this film is that it’s far from (sorry) just being a Spider-Man film. It’s also an epilogue to Endgame, picking up some of the plot holes created by the Snap (now called Blip) and jokingly tries to sweep them under the rug. Any double bill with Endgame might render the emotional core of that film obsolete… It’s also a sequel to Iron Man, with the big question of who’s going to fill his shoes and despite trying to make Spider-Man his own character they keep making him do Iron Man like things, even turning his villain into one semi created by Iron Man…yet again. And then it’s a Spider-Man sequel, the supporting characters get a few more jokes, Ned probably has less to do and then there’s Michelle, seemingly the MCU’s Mary Jane; she gets fleshed out a bit more here thankfully but be warned, she still doesn’t act like her comic book origins and maybe if they didn't refer to her as MJ we wouldn't have to keep the comparison going.

Taking Spidey out of New York does a lot to establish this as something new within the many films made with him. I admire the originality, I enjoyed the fresh backdrop, but I’d be lying if I said that it still felt like Spider-Man film. You just can’t take the boy out of the concrete jungle… Still, kudos to them for attempting it, it’s still fun and the story overall is quite light and breezy and works within the high school genre it's going for. Everybody looks like they’re enjoying themselves, especially Jake Gyllenhaal who gets to ham it up as Peter’s new mentor, Mysterio. I love Gyllenhaal, he’s great in most things and he brings the spirit of Mysterio to the character despite not being the most accurate to the comics. His powerset also brings about some really stunning and trippy visuals scenes which also allow for some of the best Spider-Man action scenes.

When Peter dons the suit and heads into action, that is where this film soars. When he’s out of it that is where film misses a beat. The emotional core of this film just doesn’t land, which is odd because it doesn’t take much for me to be emotionally invested in Peter Parker, but here I just wasn’t fussed. Even the post-credit scenes on this one, as big as they are, don’t really work with what was trying to be said within the main arc of this film. Everything feels a little too far from (sorry again) the core of the character, and I could forgive it last time because the film was really well done, but here I was less charmed by it. It just never settles into its own, as I mentioned earlier, it’s just trying to do too much when it should just be a Spider-Man film. There’s an element of myself having to grow up and realise that this film wasn’t made for me, and future instalments are not going to be either. Even the audience I watched this with on opening day had a lot lower average age than other Marvel film audiences I’ve seen recently. And if they’re enjoying it then that’s great, the more Spider-Man fans the better. However, there is no doubt that my nostalgia of what Spider-Man is and means to me lowered my enjoyment of this film. Sometimes I can separate my comic book fan brain but this time evidently not.

There’s no doubt it’s a lot of fun and the characters are a joy to be around. The film itself embraces the breeziness of a high school comedy that’s mixed with the aftermath of the stakes of one of the biggest films of all time. Despite the action scenes feeling on point, the story and emotional weight just doesn’t feel like Spider-Man and I’m not particularly excited to see where they go next with it. The further we move away from Endgame and Tony Stark, hopefully, the more Spider-Man starts to settle into his own films. We’ll see but for now, Spider-Man: Far from Home is far from (this is the end I promise) what I wanted but it’s not a total disaster, I imagine most audiences will get a good kick out of it. I’m rating it a 3/5.

Let me know if you think I'm absolutely wrong in the comments below.

Thanks for reading!